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 This palpable and patent fact, as his only and worthy French translator has well remarked, would of itself suffice to exonerate his memory from the imputation of having perpetrated in its evil entirety The First Part of King Henry VI.

There is, in my opinion, somewhat more of internal evidence than I have ever seen adduced in support of the tradition current from an early date as to the origin of the Merry Wives of Windsor; a tradition which assigns to Queen Elizabeth the same office of midwife with regard to this comedy as was discharged by Elwood with reference to Paradise Regained. Nothing could so naturally or satisfactorily explain its existence as the expression of a desire to see "Falstaff in love," which must have been nothing less than the equivalent of a command to produce him under the disguise of such a transfiguration on the boards. The task of presenting him so shorn of his beams, so much less than archangel (of comedy) ruined, and the excess of (humorous) glory obscured, would hardly, we cannot but think and feel, have spontaneously suggested itself to Shakespeare as a natural or eligible aim for the fresh exercise of his comic genius. To exhibit Falstaff as throughout the whole course of five acts a credulous and