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 on work fitter for ushers and embalmers and the general valetry or varletry of Church and State. That this fifth act is unequal in point of interest to the better part of the preceding acts with which it is connected by so light and loose a tie of convenience is as indisputable as that the style of the last scene savours now and then, and for some space together, more strongly than ever of Fletcher's most especial and distinctive qualities, or that the whole structure of the play if judged by any strict rule of pure art is incomposite and incongruous, wanting in unity, consistency, and coherence of interest. The fact is that here even more than in King John the poet's hands were hampered by a difficulty inherent in the subject. To an English and Protestant audience, fresh from the passions and perils of reformation and reaction, he had to present an English king at war with the papacy, in whom the assertion of national independence was incarnate; and to the sympathies of such an audience it was a matter of mere necessity for him to commend the representative champion of their cause by all means which he could compel into the service of his aim. Yet this object was in both instances all but incompatible with the natural and necessary interest of the plot. It was