Page:A study of Ben Jonson (IA studyofbenjonson00swinrich).pdf/94

 of George Eliot's exquisite minor touches—Mr. Dempster's derivation of the word Presbyterian from one Jack Presbyter of historic infamy: the young squire's careful and testy 'man and governor' is no unworthy younger brother of Numps in Bartholomew Fair: and the rustic heroine, a figure sketched with rough realistic humour, is hardly less than delightful when she remarks, after witnessing the arrest of her intended bridegroom on a charge of highway robbery, 'He might have married one first, and have been hanged after, if he had had a mind to 't;' a reflection worthy of Congreve or Vanbrugh, Miss Hoyden or Miss Prue. But Jonson had never laid to heart the wisdom expressed in the admirable proverb—'Qui trop embrasse mal étreint'; the simple subject of the play and the homely motive of the action are overlaid and overloaded by the multiplicity of minor characters and episodical superfluities, and the upshot of all the poet's really ingenious contrivances is pointless as well as farcical and flat as well as trivial. But there is certainly no sign of dotage in any work of Ben Jonson's produced before or after the lamentable date of The New Inn. The author apologizes for the homely and rustic quality of his