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 the tournament in which the prince bore himself so gallantly as to excite 'the great wonder of the beholders,' is memorable for a quality far higher than this: it is unsurpassed if not unequalled by any other work of its author for brightness and lightness and grace of fancy, for lyric movement and happy simplicity of expression.

Such work, however, was but the byplay in which the genius of this indefatigable poet found its natural relaxation during the year which gave to the world for all time a gift so munificent as that of The Alchemist. This 'unequalled play,' as it was called by contemporary admirers, was not miscalled by their enthusiasm; it is in some respects unparalleled among all the existing masterpieces of comedy. No student worthy of the name who may agree with me in preferring The Fox to The Alchemist will wish to enforce his preference upon others. Such perfection of plot, with such multiplicity of characters—such ingenuity of incident, with such harmony of construction—can be matched, we may surely venture to say, nowhere in the whole vast range of comic invention—nowhere in the whole wide world of dramatic fiction. If the interest is less poignant than in