Page:A study of Ben Jonson (IA studyofbenjonson00swinrich).pdf/51

 construction ever accomplished by the most consummate and the most conscientious among ancient and modern artists. And when we remember that this perfection of triumphant art is exhibited, not on the scale of an ordinary comedy, whether classic or romantic, comprising a few definite types and a few impressive situations, but on a scale of invention so vast and so various as to comprise in the course of a single play as many characters and as many incidents, all perfectly adjusted and naturally developed out of each other, as would amply suffice for the entire dramatic furniture, for the entire poetic equipment, of a great dramatic poet, we feel that Gifford's, expression, a 'prodigy of human intellect,' is equally applicable to The Fox and to The Alchemist, and is not a whit too strong a term for either. Nor can I admit, as I cannot discern, the blemish or imperfection which others have alleged that they descry in the composition of Volpone—the unlikelihood of the device by which retribution is brought down in the fifth act on the criminals who were left at the close of the fourth act in impregnable security and triumph. So far from regarding the comic Nemesis or rather Λte which infatuates and impels Volpone to his doom as a sacrifice of art to morality, an immolation of probability and consistency on the