Page:A study of Ben Jonson (IA studyofbenjonson00swinrich).pdf/25

 these undramatic if not inartistic satires in dialogue be duly taken into account. From their author's point of view, they are worthy of all the applause he claimed for them; and to say this is to say much; but if the author's point of view was radically wrong, was fundamentally unsound, we can but be divided between condemnation and applause, admiration and regret. No student of our glorious language, no lover of our glorious literature, can leave these miscalled comedies unread without foregoing an experience which he should be reluctant to forego: but no reader who has any sense or any conception of comic art or of dramatic harmony will be surprised to find that the author's experience of their reception on the stage should have driven him by steady gradations of fury and consecutive degrees of arrogance into a state of mind and a style of work which must have seemed even to his well-wishers most unpromising for his future and final triumph. Little if anything can be added to the excellent critical remarks of Gifford on Every Man out of his Humour, Cynthia's Revels, and Poetaster, or his Arraignment, The first of these magnificent mistakes would be enough to ensure immortality to the genius of the poet capable of so superb and