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 minor work of Jonson's; for sweetness and simplicity it has few if any equals among his lyrical attempts.

Of the fifteen lyric or elegiac poems which compose The Forest, there is none that is not worthy of all but the highest praise; there is none that is worthy of the highest. To come so near so often and never to touch the goal of lyric triumph has never been the fortune and the misfortune of any other poet. Vigour of thought, purity of phrase, condensed and polished rhetoric, refined and appropriate eloquence, studious and serious felicity of expression, finished and fortunate elaboration of verse, might have been considered as qualities sufficient to secure a triumph for the poet in whose work all these excellent attributes are united and displayed; and we cannot wonder that younger men who had come within the circle of his personal influence should have thought that the combination of them all must ensure to their possessor a place above all his possible compeers. But among the humblest and most devout of these prostrate enthusiasts was one who had but to lay an idle and reckless hand on the instrument which hardly would answer the touch of his master's at all, and the very note of