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 earlier than the publication of ‘Sense and Sensibility,’ and ‘ Pride and Prejudice.’

To the second question, why was it never finished ? I can give no satisfactory answer. I think it will be generally admitted that there is much in it which promised well: that some of the characters are drawn with her wonted vigour, and some with a delicate discrimination peculiarly her own; and that it is rich in her especial power of telling the story, and bringing out the characters by conversation rather than by description. It could not have been broken up for the purpose of using the materials in another fabric ; for, with the exception of Mrs. Robert Watson, in whom a resemblance to the future Mrs. Elton is very discernible, it would not be easy to trace much resemblance between this and any of her subsequent works. She must have felt some regret at leaving Tom Musgrave’s character incomplete; yet he never appears elsewhere. My own idea is, but it is only a guess, that the author became aware of the evil of having placed her heroine too low, in such a position of poverty and obscurity as, though not necessarily connected with vulgarity, has a sad tendency to degenerate into it; and therefore, like a singer who has begun on too low a note, she discontinued the strain. It was an error of which she was likely to become more sensible, as she grew older, and saw more of society ; certainly she never repeated it by placing the heroine of any subsequent work under circumstances likely to be unfavourable to the refinement of a lady.