Page:A history of Sanskrit literature (1900), Macdonell, Arthur Anthony.djvu/392

 as a king, when the earth is his couch, his arms his pillow, the sky his tent, the moon his lamp, when renunciation is his spouse, and the cardinal points are the maidens that fan him with winds. No Indian poet inculcates renunciation more forcibly than Bhartṛihari; the humorous and ironical touches which he occasionally introduces are doubtless due to the character of this remarkable man, who wavered between the spiritual and the worldly life throughout his career.

Renunciation is not, however, the only goal to which the transitoriness of worldly goods leads the gnomic poets of India. The necessity of pursuing virtue is the practical lesson which they also draw from the vanity of mundane existence, and which finds expression in many noble admonitions:—


 * Transient indeed is human life,
 * Like the moon's disc in waters seen:
 * Knowing how true this is, a man
 * Should ever practise what is good (Hit. iv. 133).

It is often said that when a man dies and leaves all his loved ones behind, his good works alone can accompany him on his journey to his next life. Nor should sin ever be committed in this life when there is none to see, for it is always witnessed by the "old hermit dwelling in the heart," as the conscience is picturesquely called.

That spirit of universal tolerance and love of mankind which enabled Buddhism to overstep the bounds not only of caste but of nationality, and thus to become the earliest world-religion, breathes throughout this poetry. Even the Mahābhārata, though a work of the Brahmans, contains such liberal sentiments as this:—