Page:A history of Sanskrit literature (1900), Macdonell, Arthur Anthony.djvu/390

 These are plentiful in the law-books; in the epic and the drama they are frequently on the lips of heroes, sages, and gods; and in fables are constantly uttered by tigers, jackals, cats, and other animals. Above all, the Mahābhārata, which, to the pious Hindu, constitutes a moral encyclopædia, is an inexhaustible mine of proverbial philosophy. It is, however, natural that ethical maxims should be introduced in greatest abundance into works which, like the Panchatantra and Hitopadeça, were intended to be handbooks of practical moral philosophy.

Owing to the universality of this mode of expression in Sanskrit literature, there are but few works consisting exclusively of poetical aphorisms. The most important are the two collections by the highly-gifted Bhartṛihari, entitled respectively Nītiçataka, or "Century of Conduct," and Vairāgya-çataka, or "Century of Renunciation." Others are the Çānti-çataka, or "Century of Tranquillity," by a Kashmirian poet named Çilhaṇa; the Moha-mudgara, or "Hammer of Folly," a short poem commending the relinquishment of worldly desires, and wrongly attributed to Çankarāchārya; and the Chāṇakya-çataka, the "Centuries of Chāṇakya," the reputed author of which was famous in India as a master of diplomacy, and is the leading character in the political drama Mudrā-rākshasa. The Nīti-manjarī, or "Cluster of Blossoms of Conduct," which has not yet been published, is a collection of a peculiar kind. The moral maxims which it contains are illustrated by stories, and these are taken exclusively from the Rigveda. It consists of about 200 çlokas, and was composed by an author named Dyā Dviveda who accompanied his work with a commentary. In the latter he quotes largely from the Bṛihaddevatā, Sāyaṇa on the Rigveda, and other authors.