Page:A guide to the manuscripts and printed books illustrating the progress of musical notation - British Museum - 1885.djvu/24

 5. Songs in three and four parts by Cornyssh, Taverner, Cowper, Fairfax, and others. Bass part. [Wynkyn de Worde: London,] 1530. Obi. 8°.

6. Music for four voices in the eight Church Tones. By Thomas Tallis. Annexed to Archbishop Parker's Psalter. John Day: London, 1567. 4°.

7. "An introduction to the skill of musick. By John Playford . . . The seventh edition." W. Godbid: London, 1674. 8°. Printed in the old angular notation. The comparison of the earlier editions of this work with the later shows the transition to the modern round notation. See No. 8.

8. "An introduction to the skill of musick. By John Playford . . . The eighteenth edition corrected and done on the New-Ty'd note." W. Pearson: London, 1724. 8°. Printed in the modern round notation, with "tyed" quavers.

9. "The Dancing Master, or plain and easie rules for the dancing of country dances, with the tune to each dance to be play'd on the treble violin, etc." [By John Playford.] J. Playford: London, 1652. Obl. 8°.

10. "Pammelia. Musick's Miscellany. Or, mixed variety of Pleasant Roundelaves. and delightfull catches of 3, 4, 5, 6, 7, 8, 9, 10 parts in one, etc." London, 1609.

11. "The English Opera or the Vocal Musick in Psyche with the Instrumental therein intermixed . . . By Matthew Lock." London, 1675. 4°. Printed from type.

12. "Misse Antonii de Feuin . . . Roberti de Feuin. . . Pier Zon." per Octauianum Petrutiū: Forosempronii, 1515. Obl. 8°. Printed by the inventor of music printing with movable type.