Page:A guide to the manuscripts and printed books illustrating the progress of musical notation - British Museum - 1885.djvu/21

 112. : about. 1500. Hours of the Virgin, in Latin; with miniatures and borders by Flemish artists. Harp and triangle. [Add. MS. 27,913.]

113. : 16th century. Hours of the Virgin, with calendar, in Latin; with miniatures and borders by Flemish artists. Maying scene: bagpipes, lute or guitar, and drum and fife.

114. al:  (circ. 1580-1650). Fantasias "for the Organ and two Base vyols"; six-line stave. [Add. MS. 31,416.]

115. (1595?-1662). The air and words of a song, "Farwell to ye Parlyament." [Add. MS. 32,343.]

116. (1592-1678). Pavan, probably for two violins and an organ; the treble and bass parts only. [Add. MS. 31,423.]

117. (1627?-1677). Psalm vi. in vocal score: "Lord, rebuke me not in Thy fury." [Add. MS. 31,437.)

118. (1648-1708). Anthem: "O sing unto the Lord." [Add. MS. 31,458.]

119. (1658?-1695). The music in "Bonduca," in full score, A.D. 1695: concluding chorus, "Britons, strike home, revenge your country's wrongs." [Add. MS. 5337.]

120. (1710-1779). Concerto in B minor, in score: the opening movement. [Add. MS. 17,836.]

121. (1786-1855). "The Father and his children": a dramatic piece, in full score: title-page and opening movement. [Add. MS. 27,709.]

122. (1604-1674). Magnificat, in score. [Add. MS. 31,474.]

123. (1792-1868). Cantata, "O giorno sereno": opening and concluding bars. [Add. MS. 30,246.]