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 BOVEY, CATHARINE, , at fifteen, William Bovey, an English gentleman of opulence and respectability in Gloucestershire. To great beauty, she added the highest degree of benevolence, and all the gentle virtues of private life; so that she is deservedly extolled by Sir Richard Steele, in his dedication of the two volumes of his "Ladies' Library." She was left a widow at the age of twenty-two, and died at Haxley, in 1728, aged fifty-seven. Her maiden name was Riches.

BRACHMAN, LOUISE, in 1778, at Rochlitz. She was an intimate friend of Schiller and Novalis, and contributed, in 1799, over the signature of Louise, a number of poems to the Musen-Almenach, (Calendar of the Muses,) a periodical edited by those two authors. She was of a very uneven temperament, and subject to long-continued fits of melancholy. Disappointed in two different affairs of the heart, and afterwards in some other expectations of minor importance, she committed suicide, in 1822, while on a visit to some friends in Italy, by drowning herself in the River Saale. She has written "Poems," published in Dessau and Leipzig, 1800; "Blossoms of Romance," Vienna, 1816; "The Ordeal," "Novelettes," "Scenes from Reality," and "Errors."

BRADSTREET, ANNE, of Thomas Dudley, governor of Massachusetts from 1634 to 1650, and wife of Simon Bradstreet, is entitled to remembrance as the author of the first volume of poetry published in America. Her work was dedicated to her father, and published in 1642. The title is, "Several Poems, compiled with great variety of wit and learning, full of delight; wherein especially is contained a complete discourse and description of the four elements, constitutions, ages of man, seasons of the year, together with an exact epitome of the three first monarchies, namely, the Assyrian, Persian, Grecian and Roman Commonwealth, from the beginning to the end of their last king, with divers other pleasant and serious poems. By a Gentlewoman of New England." She received for her poetical talents the title of the Tenth Muse, and the most distinguished men of the day were her friends, and the admirers of her genius. When we examine the poetry of that period, and see the miserable attempts at rhyme, made by the male writers, we must believe Mrs. Bradstreet was "as learned as her coadjutors, and vastly more poetical." The preface to the third edition, printed in 1668, thus sketches her character:—"It is the work of a woman honoured and esteemed where she lives for her gracious demeanour, her eminent parts, her pious conversation, her courteous disposition, her exact diligence in her place, and discreet management of her family occasions; and more so, these poems are the fruits of a few hours curtailed from her sleep, and other refreshments."

When Mrs. Bradstreet wrote her poems, she could have had no models, save Chaucer and Spenser. Milton had not become known as a writer when her work was published, and Shakspere was not read by the Puritans of New England. On the whole we think Anne Bradsteeet [sic] entitled to the place assigned to her by