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Rh but must not here be omitted on that account. All versions rest on that of Pitaval, taken from the records of the Parliament of Toulouse. Pitaval's narrative was published in 1734. Unhappily he has decked it out with romantic features, drawn from conjecture, to explain the motive of the murderers, and we shall be obliged to distinguish between these and the facts that were proved.

At the Court of Louis XIV. one of the great beauties was the Marquise de Castellane, a woman as good as she was beautiful. Queen Christian of Sweden, who was then at the Court, declared that she had never seen one who was more lovely, and the painter, Mignard, took her portrait.

She was the daughter of a M. de Roussan, of Avignon, and after the death of her father had been educated in the house of her grandfather, M. de Nochères, who loved her as the apple of his eye. He was a very wealthy man, and she would be his heiress. At the age of thirteen she married the Marquess, who brought her to Paris. When aged twenty she was a widow, as her husband was drowned in the Mediterranean. She then returned to Avignon, and was at once surrounded by suitors. Her choice fell on the Marquess de Ganges, younger than herself, a man of a weak character, but with pleasant manners. The marriage took place in 1658. By him she became the mother of two children, a son and a daughter.

After a while the affection of the Marquess for his wife died away. Her superiority in mind and character offended his self-esteem, and to add to this his brother, the Abbé de Ganges, did his utmost to estrange the married couple.