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 each dreamer and lover and mourner whose lay she sang, it was as if old things had passed away and all things were become new. And presently, as they drifted on in the flooding moonlight, leaving the lights of the city behind them, she could see the small, low glimmer of a gondola-lamp gliding from out the mysterious spaces of the lagoon.

At that moment Canti whispered a request that the Signorina would sing "Patria," Tito Mattei's beautiful song of exile. She consented, with a feeling of awe, as if acting in obedience to some higher compulsion. The barge had paused, and the multitudinous plash of oars was hushed as she began to sing:

The vagrant gondola had come nearer, and now it was drawn close up under the bow of the barge, just on the edge of the throng of boats. The Signorina scarcely