Page:A Treatise on Painting.djvu/182

 If this joint had been made pliable on all sides, as that of the shoulder, or that of the thigh bone with the hip, a man would have had his legs bent on each side as often as backwards and forwards, and seldom or never straight with the thigh. Besides, this joint can bend only one way, so that in walking it can never go beyond the straight line of the leg; it bends only forwards, for if it could bend backwards, a man could never get up again upon his feet, if once he were kneeling; as when he means to get up from the kneeling posture (on both knees), he gives the whole weight of his body to one of the knees to support, unloading the other, which at that time feels no other weight than its own, and therefore is lifted up with ease, and rests his foot flat upon the ground; then returning the whole weight upon that foot, and leaning his hand upon his knee, he at once extends the other arm, raises his head, and straightening the thigh with the body, he springs up, and rests upon the same foot, while he brings up the other.   that are set in a fixed attitude, are nevertheless to have some contrast of parts. If one arm come before, the other remains still or goes behind. If the figure rest upon one leg, the shoulder on that side will be lower than the other. This is observed by artists of judgment, who always take care to balance the figure well upon its feet, for fear it should Rh