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time possess that spirit of justice and of candour, which will lead him to remember me with respect.

I have now only to thank my reader, whoever he may be, who has followed me through the pages of this discourse, for having had the patience to do so. May he, in going through what follows (a wish the sincerity of which he cannot doubt) find more to reward his trouble than I dare venture to promise him; and for the pains he has already taken, and that which he intends to take for me, I request that he will accept of my grateful acknowledgments.


 * Shakspeare, more than any of our poets, gives peculiar and appropriate distinction to the characters of his tragedies. The remarks I have made, in regard to the little variety of character to be met with in tragedy, apply not to him. Neither has he, as other Dramatists generally do, bestowed pains on the chief persons of his drama only, leaving the second and inferiour ones insignificant and spiritless. He never wears out our capacity to feel, by eternally pressing upon it. His tragedies are agreeably chequered with variety of scenes, enriched with good sense, nature, and vivacity, which relieve our minds from the fatigue of continued distress. If he sometimes carries this so far as to break in upon that serious tone of mind, which disposes us to listen with effect to the higher scenes of tragedy, he has done so chiefly in his historical plays, where the distresses set forth are commonly of that publick kind, which does not, at any rate make much impression upon the feelings.