Page:A Portrait of the Artist as a Young Man (Huebsch 1916).djvu/94

 of boyhood stood between then and now, forbidding such an outlet: and all day the stream of gloomy tenderness within him had started forth and returned upon itself in dark courses and eddies, wearying him in the end until the pleasantry of the prefect and the painted little boy had drawn from him a movement of impatience.

—So you may as well admit, Heron went on, that we've fairly found you out this time. You can't play the saint on me any more, that's one sure five.

A soft peal of mirthless laughter escaped from his lips and, bending down as before, he struck Stephen lightly across the calf of the leg with his cane, as if in jesting reproof.

Stephen's moment of anger had already passed. He was neither flattered nor confused, but simply wished the banter to end. He scarcely resented what had seemed to him a silly indelicateness for he knew that the adventure in his mind stood in no danger from these words: and his face mirrored his rival's false smile.

—Admit! repeated Heron, striking him again with his cane across the calf of the leg.

The stroke was playful but not so lightly given as the first one had been. Stephen felt the skin tingle and glow slightly and almost painlessly; and, bowing submissively, as if to meet his companion's jesting mood, began to recite the Confiteor. The episode ended well, for both Heron and Wallis laughed indulgently at the irreverence.

The confession came only from Stephen's lips and, while they spoke the words, a sudden memory had carried him to another scene called up, as if by magic, at the moment when he had noted the faint cruel dimples at the corners of Heron's smiling lips and had felt the [86]