Page:A Portrait of the Artist as a Young Man (Huebsch 1916).djvu/60

 —Hoho! he cried. Who is this boy? Why is he on his knees? What is your name, boy?

—Fleming, sir.

—Hoho, Fleming! An idler of course. I can see it in your eye. Why is he on his knees, Father Arnall?

—He wrote a bad Latin theme, Father Arnall said, and he missed all the questions in grammar.

—Of course he did! cried the prefect of studies, of course he did! A born idler! I can see it in the corner of his eye.

He banged his pandybat down on the desk and cried:

—Up, Fleming! Up, my boy!

Fleming stood up slowly.

—Hold out! cried the prefect of studies.

Fleming held out his hand. The pandybat came down on it with a loud smacking sound: one, two, three, four, five, six.

—Other hand!

The pandybat came down again in six loud quick smacks.

—Kneel down! cried the prefect of studies.

Fleming knelt down, squeezing his hands under his armpits, his face contorted with pain; but Stephen knew how hard his hands were because Fleming was always rubbing rosin into them. But perhaps he was in great pain for the noise of the pandybat was terrible. Stephen's heart was beating and fluttering.

—At your work, all of you! shouted the prefect of studies. We want no lazy idle loafers here, lazy idle little schemers. At your work, I tell you. Father Dolan will be in to see you every day. Father Dolan will be in tomorrow. [52]