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 occurred to him that as yet nobody had heard his fine voice. Full of this thought, he hastened at once to the house of Professor Siboni, where a large party happened to be at dinner, and among the guests Baggesen, the poet, and the celebrated composer, Professor Weyse. He knocked at the door, which was opened by a female servant, and to her he related, quite open-heartedly, how forlorn and friendless he was, and how great a desire he had to be engaged at the theatre; the young woman went in and related this to the company. All were interested in the little adventurer; he was ordered in, and desired to sing, and to give some scenes from Holberg. One of these scenes bore a resemblance to his own melancholy circumstances, and he burst into tears. The company applauded him.

“I prophecy,” said Baggesen, “that thou wilt turn out something remarkable; only don’t become vain when the public admires thee.”

Professor Siboni promised immediately that he would cultivate Andersen’s voice, and that he should make his debut at the Theatre