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50 "What do you mean?"

"What I say. We're out here to do justice and keep the peace. Them's my sentiments. India isn't a drawing-room."

" Your sentiments are those of a god," she said quietly, but it was his manner rather than his sentiments that annoyed her.

Trying to recover his temper, he said, "India likes gods."

"And Englishmen like posing as gods."

"There's no point in all this. Here we are, and we're going to stop, and the country's got to put up with us, gods or no gods. Oh, look here," he broke out, rather pathetically, "what do you and Adela want me to do? Go against my class, against all the people I respect and admire out here? Lose such power as I have for doing good in this country because my behaviour isn't pleasant? You neither of you understand what work is, or you 'ld never talk such eyewash. I hate talking like this, but one must occasionally. It's morbidly sensitive to go on as Adela and you do. I noticed you both at the club to-day — after the Burra Sahib had been at all that trouble to Umuse you. I am out here to work, mind, to hold this wretched country by force. I'm not a missionary or a Labour Member or a vague sentimental sympathetic literary man. I'm just a servant of the Government; it's the profession you wanted me to choose, myself, and that's that. We're not pleasant in India, and we don't intend to be pleasant. We've something more important to do."

He spoke sincerely. Every day he worked hard in the court trying to decide which of two untrue accounts was the less untrue, trying to dispense justice fearlessly, to protect the weak against the less weak, the incoherent against the plausible, surrounded by lies and flattery. That morning he had convicted a railway clerk of overcharging pilgrims for their tickets, and a Pathan of at-