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A MOTOR-FLIGHT THROUGH FRANCE personality. Even the overladen detail of the period, the aimless striving of its frets and finials, cannot obscure the serious purity of the central conception; and one is led to the conclusion that a touch of free artistic emotion will break through the strongest armour of stock formulas.

One sees them, of course, the ducal tombs, in a setting in a certain sense their own, since this privileged city, in addition to its other distinctions, has a mediæval palace for its museum, and the mailed heels of the recumbent dukes may have rung on the stone flagging of the Salle des Gardes where they now lie. But the great vaulted hall has ceased to be a guard-room, as they have ceased to be its lords, and the trail of label and number, of velvet cord and iron rail, is everywhere in their democratised palace. It is noteworthy, therefore, that, as the tombs have retained so much of their commemorative value, so the palace itself has yielded as little as might be of its private character to the encroachments of publicity: appearing almost, as one wanders from one bright room to another, like the house of a great collector who still lives among his treasures. [ 154 ]