Page:A Modern Symposium - Dickinson - 1913.djvu/45

 avails it, in the name of liberty, to snap, here and there, a button or a lace? A more heroic work is required of the great protagonist, if, indeed, he will follow his mistress to the end. He shakes his head. What! Is his service, then, but half-hearted after all? Or, can it be, that behind the mask of the goddess he begins to divine the teeth and claws of the brute? But if nature be no goddess, how can we accept her as sponsor for liberty? And if liberty be taken on its own merits, how is it to be distinguished from anarchy? How, but by the due admixture of coercion? And, that admitted, must we not descend from the mountain-top of prophecy to the dreary plains of political compromise?"

Up to this point Mendoza had preserved that tone of elaborate irony which, it will be remembered, was so disconcerting to English audiences, and stood so much in the way of his popularity. But now his manner changed. Becoming more serious, and I fear I must add, more dull than I had ever heard him before, he gave us what I suppose to be the most intimate exposition he had ever permitted himself to offer of the Conservative point of view as he understood it.