Page:A History of Italian Literature - Garnett (1898).djvu/386

368 That in my soul it never shall be spent; And how such heavenly harmony in the brain Of those thick-skulled barbarians should dwell, I must confess it passes me to tell. In that sad hymn I felt the bitter sweet Of the songs heard in childhood, which the soul  Learns from beloved voices, to repeat To its own anguish in the days of dole:  A thought of the dear mother, a regret, A longing for repose and love—the whole  Anguish of distant exile seemed to run Over my heart and leave it all undone. When the strain ceased, it left me pondering Tenderer thoughts, and stronger and more clear; These men, I mused, the selfsame despot king Who rules on Slavic and Italian fear, Tears from their homes and arms that round them cling, And drives them slaves thence, to keep as slaves here; From their familiar fields afar they pass, Like herds to winter in some strange morass. ''Poor souls! far off from all that they hold dear,'' ''And in a land that hates them! Who shall say'' That at the bottom of their hearts they bear ''Love for our tyrant? I should like to lay'' ''They've our hate for him in their pockets! Here,'' But that I turned in haste and broke away, ''I should have kissed a corporal, stiff and tall.  And like a scarecrow stuck against the wall.''"

Affinities with Browning may be observed in these stanzas, and Browning meets Giusti half-way in Up at a Villa—Down in the City.

Another popular poet claims a high and exceptional place in Italian letters, not so much from his poetical gift as from his vivid and uncompromising realism. The peculiar domain of (1791–1863) is