Page:A History of Italian Literature - Garnett (1898).djvu/219

 as are the poets we have briefly passed in review, many more might have been added whom it would have been agreeable to have met in the barren fifteenth century. The Renaissance had by this time entered into the blood of Italy, and produced one of the best effects of impregnation with the classical spirit—a passion for fame. This we find as constantly assigned as a motive of action in public affairs in that day as humanitarian inducements are in ours; and when it is considered that the sincerity of the former motive is much less questionable than that of the latter, it is not clear that the comparison is wholly to the advantage of the nineteenth century. Almost every man of any mark was deeply influenced by it, and it was one of the most potent instruments in stimulating both literary and artistic production. The drawback was that the aspirant to fame was naturally inclined to take the easiest and most fashionable path, and thus the same impulse which braced effort suppressed originality.

The sentiment of an age mainly under the sway of Petrarch naturally encouraged the production of lyrical poetry, and other styles were neglected in comparison. Apart from the epical attempts which have been mentioned, and the dramatic and humorous poems to which