Page:A History of Italian Literature - Garnett (1898).djvu/182

164 da Vinci, to approving himself a universal genius. No man of his time stands higher intellectually, and his want of moral elevation is largely redeemed by his ample endowment with the one virtue chiefly needful to an Italian in his day, but of which too many Italians were destitute—patriotism.

Patriotism cannot be denied to Machiavelli's great counterpart, Francesco Guicciardini, and if it seems colder and more stained by unworthy subserviency and political cynicism, it must be remembered that these defects are the defects of the qualities in which Guicciardini surpassed his rival. Machiavelli was a genius of the creative order, and hence, with all his astuteness, occasionally somewhat Utopian; his life was free, and his muse licentious. Guicciardini had a great practical genius, infallible within a narrow sphere. He does not invent or generalise; his wisdom comes mainly by experience, and he accepts things for what they are. "His originality," says Signor Villari, "though doubtless considerable, was devoted to giving an exact and most lucid shape to the current doctrines of his day." "A sound judgment," he himself says in his Ricordi, "is better than a pregnant wit." He is correct in all the relations of life, and has not the least turn for writing comedies. Machiavelli, after all his experiences, still hopes like an enchanted maiden for the ideal prince. Guicciardini knows that there is none such, and that, even if there were, the barbarians would be too strong for him. He coldly accepts the situation and hires himself out to a bad Government, with this redeemng quality, that it is still a Government of Italians by Italians. It may be said that Machiavelli was willing to enter the service of the Medici, and such is the fact; but