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remark of Coventry Patmore's on the contrast between Dante and Shakespeare in their relation to their respective literatures might be extended to the Italian literature of the fourteenth century in general: it has lofty peaks, but little elevated table-land. Dante, Petrarch, and Boccaccio tower above their contemporaries, who, viewed from such eminences, are almost indiscernible. It might have been expected, nevertheless, that the example of surpassing excellence, which could complain of no want of popularity or recognition, would have powerfully stimulated contemporaries and successors, and that, as Homer gave birth to the Cyclic poets, and Alcæus followed in the wake of Alcman, the great Italians would have appeared as the immediate progenitors of epicists, lyrists, and novelists of kindred if inferior power. On the contrary, the century from the death of Boccaccio to the appearance of Lorenzo de' Medici as a poet is the most barren in Italian literary history. It produces no vernacular writer of genius, and but few of eminent talent. It is indeed no reproach to it to have brought forth no second Dante, or to have failed, like all other ages, to reproduce the inimitable perfection of Petrarch. But it might have been anticipated that the new ways opened Rh