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 within the Anglican Church, and soon put an end to the delightful type of eighteenth-century divine, who, as Gibbon says, "subscribed with a sigh or a smile" the articles of faith. The rigorous taboo of the Sabbath was revived, the theatre was denounced, the corruption of human nature became the dominant theme, and the Bible more a fetish than ever. The success of this religious "reaction," as it is called, was aided, though not caused, by the common belief that the French Revolution had been mainly due to infidelity; the Revolution was taken for an object lesson showing the value of religion for keeping the people in order. There was also a religious "reaction" in France itself. But in both cases this means not that free thought was less prevalent, but that the beliefs of the majority were more aggressive and had powerful spokesmen, while the eighteenth-century form of rationalism fell out of fashion. A new form of rationalism, which sought to interpret orthodoxy in such a liberal way as to reconcile it with philosophy, was represented by Coleridge, who was influenced by German philosophers. Coleridge was a supporter of the Church, and he contributed to the foundation of a school of liberal theology which was to make itself felt after the middle of the century.