Page:A History of Art in Chaldæa & Assyria Vol 2.djvu/409

 Textiles. 37* animals. In Fig. 257 two griffins have brought down a spotted deer. Elsewhere we see a winged bull perched upon a large rosette in an attitude that is at once unexpected and not ungraceful (Fig. 258). Finally the king himself or a personage resembling him is often represented struggling with fictitious monsters (Fig. 259). In this figure notice the rosettes that are scattered promiscuously over the field. We shall encounter the same prodigality of ornament in the oldest Greek vases, whose decorators seem to have been afraid to leave a corner of their surface unoccupied. In his way the weaver was no less skilful than the embroiderer, but he could not give quite so much rein to his fancy as his fellow workmen. The shuttle was less free than the needle. In its passage through the threads of the warp it could hardly do more than trace symmetrical designs and repeat them at regular intervals. We must seek for the patterns of Chaldaeo-Assyrian carpets in the sculptured thresholds of the palaces. In these the general principle never varied, but the composition changed just as it does to-day in the carpets and rugs imported from Turkey and Persia. In any case there was a border into which the softest and most delicate colours were intro- duced. As a rule it must have been decorated with one of those "knop and flower" orna- ments originally invented by the Egyptians. 1 The space so inclosed was sometimes divided into coffer-like compartments or panels, some- times it was filled with a single diaper pattern, as in the threshold from Khorsabad (Vol. I. Fig. 96). No figures of men or animals are to be found here. The simple and perhaps monotonous forms borrowed from the vegetable kingdom, were thoroughly well suited for stuffs destined to be stepped upon by countless feet. If, in our fancy, we clothe the patterns of the carved sills in all the charm of varied colour, we obtain a glowing surface that may be compared, at a respectful distance, with the gorgeous colour harmonies of the Mesopotamian plains, when the spring showers 1 See Vol. I. pp. 305-307. Fig. 258.— Detail of embroidery ; from Layard.