Page:A History of Art in Chaldæa & Assyria Vol 2.djvu/335

 Painting. 297 deprived of their true colours, and presented to our eyes in a kind of travesty of their real selves. Things used as ornaments have no inalienable colour of their own ; the decorative artist is free to twist his lines and vary his tints as he pleases ; his work will be judged by the result, and so long as that is harmonious and pleasing to the eye nothing more is required. We are tempted, therefore, on the whole, to consider some of those slabs of faïence upon which nothing appears but certain ornamental lines and combinations, suggested by geometrical and vegetable forms but elaborated by his own unaided fancy, as the masterpieces of the Assyrian enameller. If he had resolutely persevered in this path he might perhaps have produced something worthy to be compared for grace and variety with the marvellous faience of Persia. "ijizi/to ''/^f! VOL. II. Q Q