Page:A History of Art in Chaldæa & Assyria Vol 2.djvu/309

 Gems. 277 these are pyramids, spheroids, and especially cones. Every cone, except one or two which may never, perhaps, have been finished, is pierced near its summit with a hole for suspension. There has never been any doubt from the first that they were signets. Their bases, which are generally flat, but sometimes convex or concave, are always engraved in intaglio. The impression was thus obtained at one stroke, at one pressure of the hand, and it was in all probability the greater ease with which that operation could be carried out that in time led to the supercession of the cylinder by the cone. The use of the latter became almost universal in the time of the Seleucidae and Parthians. It is when they grow old that both nations and individuals turn their attention to ease and comfort. The Chaldees were long contented with the cylinder, although, as a seal, it was a very imperfect contrivance. The ancient monarchy never seems to have made use of flat signets. The impression of one has been Fig. 157. — Cone. Sapphirine chalcedony. 1 Fig. 158. — Cone. Sapphirine chalcedony. 2 sought for in vain on those contracts of the time of Hammourabi, where so many cylinders have left their mark. The oldest document on which the trace of a circular seal has been recognized belongs to the northern kingdom, and dates from the reign of Bin-Nirari, who occupied the throne of Assyria towards the end of the ninth century b.c. From this moment the use of the cone becomes rapidly common. Under the Sargonids, and still more during the second Chaldee monarchy and under the Achsemenids, it superseded the cylinder. The dates inscribed on the tablets prove their age ; the space on the cones themselves was too narrow, as a rule, for a legend. On a few specimens we find one or two characters engraved, generally a divine monogram or the traditional emblems of the sidereal powers. A few cones have inscriptions in Aramaic characters (see Fig. 157) ; on the example 1 National Library, Paris; No. 1086. 2 National Library, No. 978.