Page:A History of Art in Chaldæa & Assyria Vol 1.djvu/387

 ATTEMPTS TO RESTORE THE PRINCIPAL TYPES. 365 Without wishing to deny the value of the methods employed or the importance of the results obtained, we can hardly believe that the certainty with which technical terms are translated is well founded. There are some of these terms which if they occurred in a Greek inscription would cause no little embarrassment by their purely special character, and that even to one w r ho might unite in his single person the qualifications of a Greek scholar with those of an architect or sculptor. We hope, though we hardly expect to see our hope realized, that some day a Meso- potamian temple may be found in good preservation. Until then we cannot give to our restorations of such buildings anything approaching the accuracy or completeness so easily attained when the great religious edifices of Greece or Egypt are in question. We find none of those well defined elements, those clear and pre- cise pieces of information which elsewhere allow us to obliterate the injuries worked by time and human enemies. The foot of every wall is heaped about with such formless masses of brick and brick dust, that it is almost impossible to make full explorations or to take exact measurements. One must be content with an approximation to the truth. With the one exception of the staged tower at Khorsabad, we shall not attempt to give a single restoration in the proper sense of the word. Not that we mean to say that the different temple models given in our Plates II., III., and IV., and in our Fig. 173, are creations of our fancy. No one of the four pretends to reconstruct one famous building more than another. They are abstract types, each representing, in its general features, one of the varieties into which Assyro-Chaldaean temples may be divided. The arrangements in which the originality of each type consists were only fixed by M. Chipiez after long researches. In each case he has taken for his point of departure either a Greek or Assyrian text, a sculptured relief, or facts gleaned by the examination of original sites ; in most cases he has been able to supplement and correct the information gained from one of these sources by that from another. He has thus entered into the spirit of Mesopo- tamian architecture, and restored the chief forms it put on in its religious buildings according to time and district. He cannot say that all the details figured were found united, as they may be here, on a single building ; but they are not inventions, no one of them is without authority, and the use to which they are put has been