Page:A History of Art in Chaldæa & Assyria Vol 1.djvu/357

 CHAPTER III. FUNERARY ARCHITECTURE. i. Chaldfsan and Assyrian Notions as to a Future Life. OF the remains that have come down to us from ancient Egypt the oldest, the most important in some respects, and beyond dispute the most numerous, are the sepulchres. Of the two lives of the Egyptian, that of which we know the most is his posthumous life the life he led in the shadows of that carefully-hidden subterranean dwelling that he called his "good abode." While in every other country bodies after a few years are nothing but a few handfuls of dust, in Egypt they creep out in thousands to the light of day, from grottoes in the flanks of the mountains, from pits sunk through the desert sand and from hollows in the sand itself. They rise accompanied by long inscriptions that speak for them, and make us sharers in their joys and sorrows, in their religious beliefs and in the promises in which they placed their hopes when their eyes were about to close for ever. A peculiarity of which Egypt offers the only instance is thus explained. The house of the Memphite citizen and the palace of the king himself, can only now be restored by hints culled from the reliefs and inscriptions hints which sometimes lend themselves to more than one interpretation, while the tombs of Egypt are known to us in every detail of structure and arrangement. In more than one instance they have come down to us with their equipment of epitaphs and inscribed prayers, of pictures carved and painted on the walls and all the luxury of their sepulchral furniture, exactly in fact as they were left when their doors were shut upon their silent tenants so many centuries ago. 1 1 See Art in Ancient Egvpt, vol. i. chapter 3.