Page:A History of Art in Chaldæa & Assyria Vol 1.djvu/309

 DECORATION. 287 The " paintings in the temple of Belos," described by Berosus, were in all probability carried out in the same way. They decorated the walls of the great temple of Bel Merodach at Babylon, where " all kinds of marvellous monsters with the greatest variety in their forms " were to be seen. 1 We see therefore, that both by sacred and profane writers is the important part played by these paintings in the palaces and temples of the capital affirmed. And Ctesias, who is not content with allusions, but enters into minute details, tells us how the work was executed, and how its durability was guaranteed. The modern buildings of Persia give us some idea as to the appearance of those of Babylon. No doubt the plan of a mosque differs entirely from that of a temple of Marduk or Nebo, but the principle of the decoration was the same. If the wand of an enchanter could restore the principal buildings of Babylon we should, perhaps, find more than one to which the following description of the great mosque of Ispahan might be applied with the change of a word here and there : " Every part of the building without exception is covered with enamelled bricks. Their ground is blue, upon which elegant flowers and sentences taken from the Koran are traced in white. The cupola is blue, decorated with shields and arabesques. One can hardly imagine the effect produced by such a building on an European accustomed to the dull uniformity of our colourless buildings ; he is filled with an admiring surprise that no words can express." 2 1 BEROSUS, fragment i. 4, in vol. ii. of the Fragmenta historiaun Grtzcorum Of Ch. MlJLLER. 2 TEXIER, Armenie et Perse, vol. ii. p. 134. In the same work the details of the magnificent decoration upon the mosque of the Sunnites at Tauris (which afforded a model for that at Ispahan) will be found reproduced in their original colours. It is strange that this art of enamelled faience, after being preserved so long, should so recently have become extinct in the East. " At the commencement of the last century," says M. TEXIER (vol. ii. p. 138), " the art of enamelling bricks was no less prosperous in Persia than in the time of Shah-Abbas, the builder of the great mosque at Ispahan (1587-1629) ; but now the art is completely extinct, and in spite of my desire to visit a factory where I might see the work in progress, there was not one to be found from one end of Ispahan to the other." According to the information I gathered in Asia Minor, it was also towards the beginning of the present century that the workshops of Nicrea and Nicomedia, in which the fine enamelled tiles on the mosques at Broussa were made, were finally closed. In these fabriques the plaques which have been found in such abundance for some twenty years past in Rhodes and other islands of the Archipelago were also manufactured. [The manufacture of these glazed tiles is by no means extinct in India, however.