Page:A History of Art in Chaldæa & Assyria Vol 1.djvu/209

 CONSTRUCTION. 187 outer walls, using doorways of these extravagant dimensions, we may surely conclude that they were meant to light and ventilate the rooms as well as to facilitate the circulation of their inhabitants." l Even in halls, which were lighted at once by a number of cir- cular eyes like those described and by a wide doorway, there would be no excess of illumination, and the rooms of Assyria must, on the whole, have been darker than ours. When we re- member the difference in the climates this fact ceases to surprise us. With our often-clouded skies we seldom have too much light, and we give it as wide and as frequent passages as are consistent with the stability of our buildings. The farther north we go the more strongly marked does this tendency become. In Holland, the proportion of voids to solids is much greater than it is on the facade of a Parisian house, and the same tendency may be traced from one end of Europe to the other. But even in Central Europe, as soon as the temperature rises above a certain point, curtains are drawn and jalousies closed, that is, the window is suppressed as far as possible. And is not that enough to suggest a probable reason for the want of windows characteristic of an Oriental dwelling ? An explanation has been sometimes sought in the life of the harem and in the desire of eastern sovereigns to withdraw themselves from the eyes of their subjects. The idleness, almost amounting to lethargy, of the present masters of the East has also been much insisted on. What, it is asked, do these men want with light ? They neither read nor work, they care nothing for those games of skill or chance which form so large a part of western activity; absolute repose, the repose of sleep or stupefaction, is their ideal of existence.' 2 These observations have hardly the force that has been ascribed to them. The harem is not the whole palace, and even in the modern East the selamlik, or public part of the house, is very differently arranged from the rooms set apart for the women. The hunting and conquering kings of Assyria lived much in public. They appeared too often at the head of their armies or among the hounds for us to represent them as the Greek tradi- tion represented Sardanapalus shut up within blind walls in distant and almost inaccessible chambers. We must guard ourselves against the mistake of seeking analogies too close 1 PLACE, Ninive, vol. i. p. 313. - U id. t p. 3IO