Page:A History of Art in Ancient Egypt Vol 2.djvu/288

 ;58 A lilSTORY OF ArT IN AnCIENT EciVPT. the excellent architects and decorative artists left to him by his father. He left them no time to instruct pupils or to form a school, and so in his old age he found himself compelled to employ mediocrities. " The steles, inscriptions, and other monuments of the last years of Rameses II. are to be recognized at a glance by their detestable style," says Mariette.^ With the fine bas-relief at Abydos which is reproduced in our Plate III., Vol. I,, Mariette contrasts another which is to be found in a neighbouring hall and represents Rameses II. in the same attitude. In the former, the figure of Seti is expressed in the most delicate low relief, in the latter the contours of Rameses are coarsely indicated by a deeply-cut outline.- So too M. Charles Blanc : " As we pass from the tomb of Seti I. to those of Seti II. and Rameses lY., the decadence of Egyptian art makes itself felt, partly in the character of the pictures, which no longer display the firmness, the delicacy, or the significance, of those which we admired in the tomb of the first-named monarch, partly in the exaggerated relief of the sculptures." ^ Unless Mariette was mistaken in his identification of one of the most remarkable fragments in the Boulak Museum, Thebes must have possessed first-rate artists even at the death of Rameses. M. Charmes thus speaks of the fragment (Fig. 223) in question : " By a happy inspiration, Mariette has given the bust of Queen Taia a pendant which equals it in attractiveness, which surpasses it, perhaps, in delicacy of treatment .... it is the head of a king surmounted by a huge cap which weights it without adding to its beauty. It formerly belonged to a statue which is now broken up. The young king was standing ; in his left hand he held a ram- headed staff. . . . It is impossible to give an idea of the youthful, almost childish grace, of the soft and melancholy charm in a countenance which seems overspread with the shadow of some unhappy fate. How did its author contrive to cut from such an unkindly material as granite, these frank and fearless eyes, that slender nose with its refined nostrils, and these lips, which are so soft and full of vitality, that they seem modelled in nothing harder than wax. We are in presence of one of the finest relics of Egyptian sculpture, and nothing more exquisite has been 1 MARuaxE, Voyage dans la Haute-Egyptc, vol. i. p. 72. Plates 23 and 24. 2 Champollion makes the same remark {Lettres d'Egy/'fc ct de Nubie, p. 326). ?' Ch. Blanc, Voyage dans la Haiite-Egypfe, j). 17S.