Page:A History of Art in Ancient Egypt Vol 2.djvu/207

 The Origin of Statue-makinc. rare. The sepulchral statues were far from being all equal in value to those of the Sheik-el-Beled, of Ra-Hotep from Meidoum, or of the scribe in the Louvre. This intelligent and scientific interpretation of nature was not reached at a bound ; Egyptian sculpture had its archaic period as well as that of Greece. ^loreover, even when the art had come to maturity, there was. as in other countries a crowd of mediocre artists whose work was to be obtained at a cost smaller than that of the eminent men whom they surrounded. The leading sculptors were fully employed by the kings and great lords, by ministers and functionaries of high rank : their less able brethren worked for that great class of functionaries of the second order, who composed what may be called the Egyptian middle class. It is probable too, that, although his work was to be hidden in the darkness of the serdab, the artist took more care in reproducing the features of a great personage whose appearance might be known from one end of the Nile valley to the other, than when employed by some com- paratively humble individual. Before descending into the tomb, the statue must for a time have been open to inspection, and its creator must have had the chance of receiving those praises which neither poet nor artist has been able to do without, from the days of Memphis to those of Modern Europe. In most cases, however, he had to reproduce the features and contours of some obscure but honest scribe, some insignihcant unit among the thousands who served Cheops or Chephren ; and his conscience was more easily satisfied. If we pass in review those limestone figures which are beginning to be comparatively common in our museums, we receive the impression that many amonor them bear onlv a general resemblance to their orielnals ; they preserve the Eg}-ptian type of feature, the individual marks of sex and age, the costume, the familiar attitude, and the attributes and accessories required by custom, and that is all. It may even be that, like a certain category of funerary steles among the Greeks of a later age, these inferior works were bought in shops ready carved and painted, and that the mere inscription of a name was supposed to give them that iconic character upon which so much depended. A name indeed is not always found upon these images, but it is always carved upon the tombs in which they were placed, and its appearance there was sufficient to consecrate the statues and all other contents of the sepulchre to the support of