Page:A History of Art in Ancient Egypt Vol 1.djvu/83

 TO THE READER.

have been in some doubt as to whether we should append a special bibliography to each section of this work, but after mature reflection we have decided against it. We shall, of course, consider the art of each of the races of antiquity in less detail than if we had undertaken a monograph upon Egyptian, upon Assyrian, or upon Phœnician art; but yet it is our ambition to neglect no source of information which is likely to be really valuable. From many of the books and papers which we shall have to consult we may reproduce nothing but their titles, but we hope that no important work will escape us altogether, and in every case we shall give references which may be easily verified. Under these circumstances a formal list of works would be a mere repetition of our notes and would only have the effect of giving a useless bulk to our volumes.

Whenever our drawings have not been taken directly from the originals we have been careful to indicate the source from which we obtained them and we have made a point of borrowing only from authors of undoubted authority. Those illustrations which bear neither an artist's name nor the title of a book have been engraved from photographs. As for the perspectives and restorations supplied by M. Chipiez, they are in every case founded upon the study and comparison of all accessible documents; but it would take too long to indicate in each of these drawings how much has been borrowed from special publications and how much has been founded upon photographic evidence. M. Chipiez has sometimes employed the ordinary perspective, sometimes that which is called axonometric perspective. The difference will be at once perceived.

Egyptologists may, perhaps, find mistakes in the hieroglyphs which occur in our illustrations. These hieroglyphs have been as a rule exactly transcribed, but we do not pretend to offer a collection of texts; we have only reproduced these characters on account of their decorative value, and because without them we could not have the general appearance of this or that monument. It will thus be seen that our object is not affected by a mistake or two in such matters.

We may here express our gratitude to all those who have interested themselves in our enterprise and who have helped us to make our work complete. Our dear and lamented Mariette had promised us his most earnest help. During the winter that we passed in Egypt, while he still enjoyed some remains of strength and voice, we obtained from his conversation and his letters some precious pieces of information. We have cited the works of M. Maspero on almost every page, and yet we