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 by a few shortly stated reasons, which are generally conclusive. The plan of his book prevents him from launching out, like Winckelmann, into enthusiastic periods; he makes no attempt at those brilliant descriptions which in our day seem a little overcoloured; but in the very brevity of his judgments and his laconic but significant phraseology, we perceive a sincere and individual emotion, an independent intellect, a pure though catholic taste. We need say no more to the objectors who attack the mere form of the book. Its one real defect is that it was written thirty or forty years too soon. The second edition, carefully revised and largely augmented, appeared in 1835; it was the last issued during the lifetime of Müller. From that moment down to the day but lately passed when the excavations at Olympia and Pergamus were brought to an end, many superb remains of Greek, Etruscan, and Roman art have risen from their temporary graves and ranged themselves in our museums. If, however, recent archæology had made no further discoveries, a few occasional corrections and additions, at intervals of ten or fifteen years, would have sufficed to prevent the manual from becoming obsolete. With a little care any intelligent editor could have satisfactorily performed what was wanted. For the Græco-Roman period especially Müller had erected so complete a historical framework that the new discoveries could find their places in it without any difficulty. Welcker, indeed, published a third edition in 1848, corrected and completed, partly from the manuscript notes left by the author in his interleaved copy, partly from information extracted by the editor from the lectures and other writings of Müller. But why does Welcker declare, in his advertisement to the reader, that but for the respect due to a work which had become classic, he would have modified it much more than he had dared. And why, for more than thirty years, has his example found no imitators? Why have we been content to reprint word for word the text of that third edition?

A few years ago one of the most eminent of our modern archæologists, Carl Bernhard Stark, was requested by a firm of publishers to undertake a new revision of the Handbuch. Why then, after having brought his materials together, did he find it more useful, and even easier, to compose an original work, a new manual which should fulfil the same requirements on a system of his own devising?—an enterprise which he would have brought to