Page:A History of Art in Ancient Egypt Vol 1.djvu/274

 i84 A History of Art in Ancient Egypt. place, the opening at the bottom of the well was walled up ; the well itself was filled with stones, earth, and sand, and the dead mam mm mmm^^i0K^i^ifffiif^ mmm i mmm EMra, "H!"";"" lll|IIJI|l|ltlllllU|IIIIJI||lllll|lllllllMI ■■ "^r^ p^^HBIRPaWBBBflfWB ' l *i""ff! iii>ifni i iij i iijin iiiiiiiii n iiiii i iii ^ i»iyajjaBm| i!iT^;'mirJ;:'i!iii"'!i!' i illi'i!^!!'i!i'"^ili!!-^^ • HI t'/M ■ JWii i i i i| ii ffMii Hiiiii | iti| H'i i iiH i iafiw g wwi B w i waaw flflih i I I Fig. 124. — Detail-; of the Sarcopl-ngus of Khoo-foi-Aiikb. was left to his eternal sleep." ^ These precautions make it no easy thing to reach the mummy chamber. To find the entrance to the ' The broken up and decayed remains of wooden boats have been found in two or three mummy pits (Mariette, Zes Tomhes de V Aiicieji Empire^ p. 17). They originally formed part, perhaps, of the boats upon which the corpse was transported across the Nile to the nearest point of the western bank to the tomb. There can be no doubt that, in placing them in the well, the survivors believed that they were serving the deceased. Both the bas-reliefs in the tomb and the Ritual contain many representations of the soul navigating the regions of Ament (see the upper
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