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 of their immediate successors; and yet, during all those long centuries of alternate renascence and decay, we find no vestige of an attempt to raise art above imitation. No suspicion of its expressive power seems to have dawned on the Egyptian mind, which, so far as the plastic arts were concerned, never produced anything that in the language of modern criticism could be called a creation. In this particular Egypt is more closely allied to those nations of the far east whose art does not come within the scope of M. Perrot's inquiry, than to the great civilizations which formed its own posterity.

Before the late troubles intervened to draw attention of a different kind to the Nile Valley, the finding of a pit full of royal mummies and sepulchral objects in the western mountain at Thebes had occurred to give a fresh stimulus to the interest in Egyptian history, and to encourage those who were doing their best to lead England to take her proper share in the work of exploration. A short account of this discovery, which took place after M. Perrot's book was complete, and of some of the numerous art objects with which it has enriched the Boulak Museum, will be found in an Appendix to the second volume.

My acknowledgments for generous assistance are due to Dr. Birch, Mr. Reginald Stuart Poole, and Miss A. B. Edwards.

W. A.