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Rh enthusiasts generally, have been for the most part suppressed. We must remember that they existed, and try from the remains to understand them.

But the first great gaps in the tradition are of a different nature. An immense amount of literature was never 'preserved' at all. It is generally true that in any creative age the living literature is neglected. It is being produced every day; and why should any one trouble himself to have it copied on good material and put in a safe place? It is only that which can no longer be had for the asking that rouses men's anxiety lest it cease altogether. This is what happened among the Greeks in tragedy, in lyric poetry, in oratory, and in the first great movement of history. The greater part of each genus was already extinct by the time people bethought them of preserving it. Especially was it the case in the earliest form of composition known to our record, the hexameter epos.

The epos, as we know it, falls into three main divisions according to author and subject-matter. It is a vehicle for the heroic saga, written by 'Homêros'; for useful information in general, especially catalogues and genealogies, written by 'Hêsiodos'; and thirdly, for religious revelation, issuing originally from the mouths of such figures as 'Orpheus,' 'Musæeus,' and the 'Bakides.' This last has disappeared, leaving but scanty traces, and the poems of 'Homer and Hesiod' constitute our earliest literary monuments.

All verse embodiments of the saga are necessarily less old than the saga itself. And more than that, it is clear