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 intoxicating recklessness had seized her—the sober, sensible Mary Conyngham. She meant to-night to take him and comfort him, to make them both, for a little time, happy. To-morrow didn't matter. It would have been better if there were no to-morrow, if they could never wake at all.

It was Philip who spoke first. After a long silence, he said in a whisper, "I can't do it, Mary . . . I can't. It isn't only myself that matters. It's you and Naomi too. It isn't her fault any more than mine."

For a moment she wished wickedly that he had been a little more like John Conyngham, and then almost at once she saw that it was his decency, the very agony of his struggle, that made her love him so profoundly. And she was afraid that he would think her wicked and brazen and fleshly. It was a thing she couldn't explain to him.

There were no words rich enough, strong enough, to make him understand what it was that had brought her here. She had thought it all out, sitting for hours there by the window, in the light of the rising moon. She had felt life rushing past her. She was growing old with the passing of each second. She had seen a man killed, and afterwards Philip had himself come upon the body of a dead woman lying in the snow. Nothing mattered, save that they come together. What happened to her was of no consequence. Some terrible force, stronger than either of them, had meant them for each other since the beginning, and to resist it, to fight against it unnaturally as Philip was doing, seemed to her all at once a black and wicked sin.

He freed himself suddenly and stood up. "I can't