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 drinking his coffee and feeling the old sense of satisfaction of being in a world stripped bare to those things which lay at the foundations of life. This was solid, with a rawness that bit into the soul. He took out a pencil and on a bit of newspaper began to sketch fragments of the scene about him—a Croat woman who was feeding coffee to her three small children out of a clumsy teacup, a gigantic, bearded Slovak and his wizened, tubercular wife, a baby wrapped in the ragged remains of a pair of overalls, a thin, white, shivering girl, with the face of a Madonna. They were simply sketches, reduced to the very skeletons of drawing, yet they were in a way eloquent and moving. He felt intoxicatingly sure of his hand, and he saw all at once that they were the best things he had ever done. Set down on the face of columns of printing, they caught the cold misery and the dumb bravery of these puzzled, wretched people, suffering silently in the midst of a hostile, foreign country. Looking at the sketches, he saw that by some ironic chance he had chosen to draw directly upon an editorial condemning them. He began to read. The fragment was torn, and so had no beginning. ". . . sacred rights of property must be protected against the attacks of men little better than brutes who have come, infected with poison of socialism and anarchy, to undermine the institutions of a great, free and glorious nation favored by God. These wretches must be treated as they deserve, without consideration, as beasts bent upon tearing down our most sacred institutions and destroying our God-given prosperity."

It was signed in bold black type with the name