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 five or six, a giant even among the big Poles, who worked with the strength of three ordinary men. There was a magnificence about his great body, with its supple muscles flowing beneath the blond, white skin. Naked to the waist, and leaning on his great bar of iron, there were times when he seemed a statue cut in the finest Parian marble. It was this odd, physical splendor that gave him a prestige and the power of leadership, which would have come to nothing in a stupid man; but Krylenko was intelligent, and hidden within the intelligence there lay a hard kernel of peasant shrewdness. He knew what it was he wanted and he was not to be turned aside; he was, Philip had come to understand, partly the creation of Irene Shane, that pale, transparent wraith, who spent all her days between the Flats and the great, gloomy house known as Shane's Castle. She had found him in her night class, a big Russian boy with a passion for learning things, and she had taken him to help her. She had perhaps discerned the odd thing about Krylenko, which set him apart from the others, that he had a vision. He had no ambition for himself, but his queer, mystical mind was constantly illuminated by wonderful plans of what he might do for his people. By this, he did not mean his own country people, but all the hordes of workers who dwelt in the rows of black houses and spent half their lives in the Mills. To him they were, quite simply, brothers—all the Poles, the Lithuanians, the Italians, the Croats, even the negroes who came up from the South to die slowly working over the acid vats. In his own Slavic way he had caught a sense of that splendor of the Mills which sometimes overwhelmed Philip. Only Krylenko saw, what was quite