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Rh Amongst other results of the suppression of the cofradias is the gradual decadence of the curious Indian dances, some of which have been named; most of them are merely pantomimic, but the Moros and Christianos—in which the persons represented are Cortez, Montezuma, the King of Jerusalem, and the King of Spain—is half-dance and half-drama, like the performances of Christmas "mummers" in England, and has partly the same origin, for there seems to be no doubt that the native Indian dances were modified and altered on the lines of mediaeval mystery-plays by the missionary monks of the fifteenth century, much in the same way as the heathen revels of Yuletide had been changed to meet a Christian cult.

Nothing in this garden portion of Coban where the Indians live suggests the bare plaza, half the day bustling with noisy marketing and half the day a dreary waste, which is the chief characteristic of a Central-American town; and it came quite as a surprise to me when, on passing through an arched tower at the end of a straggling street, I suddenly found myself in a great square with all the usual accompaniments of church, cabildo, and carcel—nothing omitted—not, even in this arcadia, the sad-eyed prisoner with hands stretched through the bars begging an alms of the passer-by. Although I was loth thus suddenly to exchange the atmosphere of a quiet country village for the bustle of a market-town, I must own that the scene which met my view ranks high for brilliancy and animation even in this country of colour-loving southrons. The weekly market was at its height and the great space was thronged with gaily-dressed women presiding over baskets of fruits, vegetables, and flowers, and stalls hung with bright-coloured fabrics, and the impression left on my mind is as of a maze of sunlight, colour, movement, and thriving abundance.

At the end of the plaza stands the great church with the Convento attached to it. Although this church was not built until some years later, it was the direct outcome of the missionary efforts of Bartolomé Las Casas, the "Apostle of the Indies," whose unframed portrait still hangs on its walls, and of his devoted companions of the brotherhood of St. Dominic, which began in the year 1537. At that time Las Casas was a member of the Dominican convent at Santiago, and had lately published his celebrated pamphlet, 'De Unico Vocationis modo,' in which he denounced the warfare carried on against the Indians, dwelt on the horrors and wrongs inflicted on them, and contended that their conversion should be effected by persuasion alone. Such doctrines raised a storm of angry disapproval from the Spaniards, for although the power of the Quichés had been broken by the destruction of Utatlan and Uspantan, the position of the settlers was not altogether secure, and one expedition after another had been driven back from Tuzulutlan, which had