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100 by little villages on the way that must have some rumour of the hills; nor, wondering if they are still the same, come at last upon the edge of their far-spread robes, and so on to their feet, and see far off their holy, welcoming faces. In the train you see them suddenly round a curve, and there they all are sitting in the sun.

I imagine that as one penetrated out from some enormous forest of the tropics, the wild beasts would become fewer, the gloom would lighten, and the horror of the place would slowly lift. Yet as one emerges nearer to the edge of London, and nearer to the beautiful influence of the hills, the houses become uglier, the streets viler, the gloom deepens, the errors of civilisation stand bare to the scorn of the fields.

Where ugliness reaches the height of its luxuriance, in the dense misery of the place, where one imagines the builder saying, "Here I culminate. Let us give thanks to Satan," there is a bridge of yellow brick, and through it, as through some gate of filigree silver opening on fairyland, one passes into the country.

To left and right, as far as one can see, stretches that monstrous city; before one are the fields like an old, old song.

There is a field there that is full of king-cups. A stream runs through it, and along the stream is a little wood of oziers. There I used often to rest at the stream's edge before my long journey to the hills.

There I used to forget London, street by street. Sometimes I picked a bunch of king-cups to show them to the hills.

I often came there. At first I noticed nothing about the field except its beauty and its peacefulness.

But the second time that I came I thought there was something ominous about the field.

Down there among the king-cups by the little shallow stream I felt that something terrible might happen in just such a place.