Page:A Dictionary of Music and Musicians vol 4.djvu/945

Rh ; Viardot-Garcia, iv. 260a; Waley, iv. 376a; Weber, iv. 399a; Wehli, iv. 432a; Bache (W.), iv. 529b; Beringer, iv. 545a; Bishop (Ann), iv. 547a; Brassin (L.), iv. 562b; Buck (Dudley), iv. 567a; Dietrich (A. H.), iv. 614b; Philh. Soc., iv. 746b; Vaterländische Künstlerverein, iv. 808a; Vesque v. Püttlingen, iv. 811b.

, B.; Madrigal, ii. 190b; Pisaroni, ii. 756a; Schools of Comp., iii. 266a.

, ii. 371a, iv. 720a; Rossini, iii. 168b.

, J.; Thomas (T.), iv. 105b.

, ii. 371a; Mendelssohn, ii. 271b.

, J. T., ii. 371a; Bach (J. S.), i. 117b; Reissmann, iii. 104a; Schubert, iii. 351b.

. (See, iii. 30b.)

, M., ii. 371b, iv. 720a; PF.-playing, ii. 745; Philh. Soc., iv. 747a.

, ii. 376b; Palestrina, ii. 642b; Rimbault, iii. 135a.

, ii. 367b.

, ii. 377a; Figure, i. 520b; Theme, iv. 99b.

, ii. 377a; Progression, iii. 40a.

, I.; Sostinente PF., iii. 639b.

, F., iv. 720b.


 * Hurdy Gurdy, iv. 683b.


 * Violin, iv. 284a.


 * Maîtrise, ii. 199b.

, P.; Sistine Chapel, iv. 794a.

, A. S., ii. 377a; Bartholomew, i. 145b; Roy. Soc. of Female Musicians, iii. 188a; Song, iii. 608b.

, E., ii. 377b; Mendelssohn, ii. 277b, note.

, G.; British Orchestral Soc., i. 277a; Trinity Coll., London, iv. 171b; Frickenhaus (Fanny), iv. 642b.

, ii. 378a; Beethoven, i. 180b, etc.; Christus am Oelberge, i. 355b; Engedi, i. 488a.

, ii. 377b; Barnett (J.), i. 141a.

, ii. 377b; Bass, i. 149a; Zenobia, iv. 506a.

, ii. 377b.

, Jos.; Ballet, i. 130b; Concert Spirituel, i. 385a; Philidor (Anne), ii. 703b; Vaudeville, iv. 231b.

, ii. 378a; Halévy, i. 645a.

, ii. 379a; Adagio, i. 27b; Finale, i. 523b; Form, i. 548a, etc.; Sonata, iii. 555a, etc.; Satz, iv. 780b.

, Constanze, ii. 406a.

, K., ii. 406a.

, W. A., ii. 379b; iv. 720b; Académie de Mus., i. 9a, etc.; Accent, i. 14a, etc.; Acis and Galatea, i. 26a; Act, i. 26a; Adamberger (V.), i. 29a; Additional Accompaniments, i. 31b, etc.; Æolian Mode, i. 40b; Agujari, i. 45b; Allegri, i. 54a; Amicis, i. 61b; André, i. 66a, etc.; Anfossi, i. 68a; Appoggiatura, i. 76a, etc.; A Quatre Mains, i. 80a; Artaria, i. 95b; Ascanio in Alba, i. 97a; Attack, i. 100b; Attwood, i. 101a; Augarten, i. 104a; Auswahl, i. 105a; Ayrton, i. 107b; Bach (C. P. E.), i. 113b; Ball, i. 128a; Barrington, i. 144b; Barthel, i. 145a; Baryton, i. 147a; Bass, i. 149a; Basset Horn, i. 151a; Bassi, i. 151a; Bassoon, i. 153b; Bastien et Bastienne, i. 154b; Beale, i. 157b; Beethoven, i. 164a, etc.; Bells, i. 219a; Belmonte und Constanza, i. 221a; Bennett (Sterndale), i. 225a; Bernasconi, i. 235a; Bologna, i. 259a; Bonno, i. 260a; Cadenza, i. 294b; Caecilia, i. 294b; Cannabich, i. 303a; Cantata, i. 305a; Cassation, i. 319a; Catalani, i. 321a; Cavalieri (K.), i. 327b; Cavatina, i. 328a; Chamber Music, i. 332b; Chrismann, i. 355a; Cimador, i. 358a; Clarinet, i. 363a, etc.; Clementi, i. 372b, etc.; Clemenza di Tito, i. 374a; Coda, i. 376b; Concerto, i. 387b, etc.; Contredanse, i. 396b; Così fan Tutte, i. 405b; Curioso indiscrete, Il, i. 424a; Davidde Penitente, i. 434a; Divertimento, i. 450b; Don Giovanni, i. 452b; Dot, i. 456b; Double Bassoon, i. 459a; Double Concerto, i. 459a; Duodrama, i. 469b; Duschek, i. 472b; Eberl, i. 479a; Eberl, i. 480a; Ecclesiasticon, i. 481b; Eroica, i. 493a; Extempore playing, i. 498b, etc.; Extravaganza, i. 499b; Eybler, i. 500a; Fandango, i. 502a; Fantasia, i. 503b; Fasch, i. 508b; Ferrarese del Bene, i. 513a; Fiala, i. 518b; Finale, i. 523b; Fischer (L.), i. 529a;