Page:A Dictionary of Music and Musicians vol 4.djvu/944

104 ; L'Homme armé, ii. 127a; Magnificat, ii. 196a; Motet, ii. 375b; Mus. Antiqua, ii. 411a, etc.; Mus. Lib., ii. 421b; Rochlitz, iii. 141b; Saggio di Contrappunto, iii. 212a; Schools of Comp., iii. 263b, etc.; Sistine Choir, iii. 521a; Yriarte (Don T. de), iv. 496b; Alfieri, iv. 520b; Sistine Chapel, iv. 794a.

, G., ii. 362b.

, J., ii. 362b; Menter, ii. 312a; Zeugheer, iv. 507a.

, J. B., ii. 362b; iv. 719b; Zeugheer, iv. 507a.

, P., ii. 362b; Menter (J.), ii. 312a.

, ii. 362b.


 * Strakosch, iii. 734a.

, A.; Lassus, ii. 96a; Latrobe, ii. 103a.


 * Haydn, i. 706b.

, ii. 362b; iv. 716b; Agrémens, i. 42b; Beat, i. 158a; Notation, ii. 477b; Shake, iii. 479b.

, B. V. de Sá; Sociedade de Quartetos do Porto, iii. 543a; Song, iii. 600b.


 * Song, iii. 597a.

, G., ii. 365a; Haydn, i. 706b.

, ii. 365a.


 * Opera, ii. 501a; Dance-Rhythm, iv. 606b.


 * Haydn, i. 707b.


 * Fraschini (G.), i. 560b; Mus. Lib., iv. 726a.

, F., ii. 365a; Ryan, iii. 207b; Soc. Armonica, iii. 543a; Vinning, iv. 266b.

, N., ii. 365a iv. 719b; Singing, iii. 511a.


 * Latrobe, ii. 103a.

, A. B., ii. 365b.

, A., ii. 366a; Asioli, i. 99a.

, P., ii. 366a.


 * Orchésographie, ii. 560b.

, V.; Hist. of Mus., 675b.

, W., ii. 368b; Isham, ii. 24a.


 * Attaignant, i. 100b.

, Angelica; Lamperti, ii. 89a.


 * Strakosch, iii. 734b.

, ii. 369a; iv. 720a; Orchésographie, ii. 560a.

, R. L.; Hist. of Mus., iv. 674b

, S. R.; Hist. of Mus., iv. 675b.

, W.; Trumpet, iv. 804b.

, ii. 369b, iv. 720a; PF.-playing, ii. 745, iv. 748b.

, P.; Hist. of Mus., iv. 677a.

, H. von.; Song, iii. 615a.


 * Ifigenia, i. 765b; Rossini, iii. 165b.

, I., ii. 369b, iv. 720a; Alsager, i. 57a; Argyll Rooms, i. 82b; Ascher, i. 97b; Augarten, i. 104a; Bach, i. 118b; Bach-Gesellschaft, i. 118b; Beethoven, i. 169b, etc.; Birmingham Festival, i. 244a; Blahetka, i. 247a; Cadenza, i. 294b; Clementi, i. 373a; Conductor, i. 390a; Cramer (J. B.), i. 413b, etc.; Dannreuther, i. 430a; Dussek (J. L.), i. 476b; Eljah, i. 486a; Ertmann (Mme.), i. 494a; Etudes, i. 496b, etc.; Extempore-playing, i. 499a; Fidelio, i. 519a; Filtsch, i. 523a; Forbes, i. 539b; Galitzin, i. 576a; Gernsheim, i. 590b; Glee Club, i. 599a; Grieg, i. 630b; Händel-Gesellschaft, i. 659a; Harpsichord, i. 691a; Henschel, i. 729a; Herz, i. 732b, etc., Horsley (C. Ed.), i. 754a; Improvisation, ii. 2a; Ivanoff, ii. 26a; Jaell, ii. 30a; Leipzig, ii. 115b; Lied ohne Worte, ii. 135a; Lind, ii. 140b; Litolff, ii. 153b; Mayseder, ii. 241b; Melodists' Club, ii. 249a; Mendelssohn, ii. 256b, etc.; Meyerbeer, ii. 322a; Neukomm, ii. 452a; Niedermeyer, ii. 455a; Oberthur, ii. 485b; O'Leary, ii. 496b; Paganini, ii. 630b; Part Mus., ii. 656b; Pauer (E.), ii. 674b; PF. Mus., ii. 728a; PF.-playing, ii. 738b; Pitman (J.), ii. 759a; Pleyel (Mme.), iii. 3b; Rea (W.), iii. 79a; Riedel, iii. 129b; Royal Academy of Mus., iii. 185b; Rubinstein, iii. 192b; Schelble, iii. 244a; Schindler, iii. 251a; Schools of Comp., iii. 308b; Schumann, iii. 385a, etc.; Schumann (Clara), iii. 422a; Shake, iii. 480a; Siboni, iii. 491a; Sloper, iii. 536b; Smith (Sidney), iii. 541b; Sowinski, iii. 647b; Stiehl, iii. 714b; Studies, iii. 747a; Sullivan, iii. 761b; Swinnerton Heap, iv. 9b; Taylor (F.), iv. 66b; Thematic Catalogue, iv. 99b; Thomson (J.), iv. 107b;