Page:A Dictionary of Music and Musicians vol 4.djvu/939

Rh ; American Organ, i. 61a.

, ii. 248b.

, ii. 249a; iv. 716b; Benda (G.), i. 221b; Duodrama, i. 469b; Ballad, iv. 530a.


 * Extemporizing Machine, i. 499b.


 * Regondi, iii. 97a.

, The, ii. 252a.

, ii. 252b; Kirkman, ii. 61b; Repetition, iii. 108b; Sostinente, PF., iii. 639b.

, ii. 252b; Mendelssohn, ii. 272b.

, L.; Milan, ii. 329b.

, F.; Wacht am Rhein, iv. 343a.

, H., ii. 252b; iv. 716b; Dict. of Mus., i. 446a; Mus. Periodicals, ii. 430b; Reissmann, iii. 104a.

, J. L. Felix, ii. 253a; iv. 716b; Accents, i. 18b; Accompaniments, i. 25a; Additional Accompaniments, i. 31a, etc.; Air, i. 47a; Albert, Prince, i. 49a; Alsager, i. 57a; Analysis, i. 62b; Ancient Concerts, i. 64b; Andantino, i. 65a; André, i. 66b; Animato, i. 68b; Antigone, i. 73b; Antiphon, i. 74a; A quatre Mains, i. 80a; Argyll Rooms, i. 82b; Arioso, i. 83a; Arpeggio, i. 88b; Arrangement, i. 91b, etc.; Athalie, i. 100b; Attwood, i. 101b; Bach (W. F. E.), i. 113a; Bach (J. S.), i. 117b; Bärmann, i. 122b, etc.; Baillot, i. 125b; Ball, i. 128a; Ballad, i. 129b; Barcarole, i. 138b; Bartholomew, i. 145b; Basset Horn, i. 151a; Bassoon, i. 154a; Baton, i. 155b; Beaulieu, i. 160a; Becher, i. 160b; Becker (C. F.), i. 161a; Beethoven, i. 169a, etc.; Beiden Neffen, Die, i. 210b; Benedictus, i. 223b; Bennett (Sterndale), i. 225a, etc.; Bergamasca, i. 230b; Berger, i. 231a; Bigot, i. 241b; Birmingham Festival, i. 244b; Blaes (Mme. E.), i. 246b; Bourges (J. M.)., i. 264a; Brendel, i. 273b; Bruch, i. 279a; Cantata, i. 305b; Capriccio, i. 307a; Caradori-Allan, i. 308a; Chelard, i. 341b; Cherubini, i. 344a; Chorale, i. 351a; Chorley, i. 353b; Christus, i. 355a; Clarinet, i. 363b; Concert, i. 384b; Concerto, i. 388b; Conductor, i. 390a, etc.; Cooper, i. 398b; Cossmann, i. 405b; David (Ferd.), i. 433a; Dorn, i. 455a; Dot, i. 456b; Double bass, i. 457b; Double bassoon, i. 459a; Drum, i. 464a; Duodrama, i. 469b; Dussek (J. L.), i. 476b; Eckert, i. 482b; Ein' feste Burg, i. 484a; Eljah, i. 486a; Ertmann, i. 494a; Evers, i. 498a; Extempore Playing, i. 499a; Extravaganza, i. 500a; Flugel, i. 535b; Flute, i. 537b; Fodor-Mainvielle, i. 538a; Form, i. 552a; Franchomme, i. 558b; Franz, i. 560b; Frege (Mme.), i. 562b; Gade, i. 574a; Gauntlett, i. 584b; Gesellschaft der Musikfreunde, i. 591a; Gewandhaus Concerts, i. 593a; Glee Club, i. 599a; Glover (W.), i. 600a; Gusikow, i. 641b; Halévy, i. 645a, note; Handel, i. 653b; Harmonie, i. 666a; Helmholtz, i. 727a; Hensel (F.C.), 729b; Henselt, i. 730a; Herz, i. 733a; Hiller (Ferd.), i. 737a; Horn, i. 751b; Horsley, i. 754a; Improvisation, ii. 2a; Interlude, ii. 7b; Intermezzo, ii. 9b; Intonation, ii. 13a; Israel in Egypt, ii. 25b; Jahrbücher, ii. 30b; Joachim, ii. 34b; Jubilate, ii. 44a; Jullien, ii. 45b; Jupiter, ii. 46b; Kalkbrenner, ii. 46b; Kalliwoda, ii. 47b; Klengel, ii. 64a; Klingemann, ii. 64b; Kufferath, ii. 75b; Lang, ii. 89a; Lauda Sion, ii. 104b; Leipzig, ii. 114b, etc.; Leit-Motif, ii. 118b; Léocadie, ii. 121a; Libretto, ii. 129b, etc.; Lied-form, ii. 133b; Lied ohne Worte, ii. 135a; Liederspiel, ii. 136a; Lind, ii. 141b; Lindblad, ii. 142b; Lindpaintner, ii. 143a; Lisbeth, ii. 145a; Liverpool Mus. Fest., ii. 154a; Lobe, ii. 154b; Lobgesang, ii. 154b; Lockey, ii. 158a; Loder (Kate) ii. 159b; Loreley, Die, ii. 166a; Magnificat, ii. 197a; Mantius, ii. 207b; March, ii. 213a; Marschner, ii. 219a; Marx, ii. 223b; Meeresstille, ii. 245a; Melodrama, ii. 249b; Melody, ii. 250a; Melusine, ii. 252b; Midsummer Night's Dream Mus., ii. 328a; Miserere, ii. 336b, etc.; Mori, ii. 365a; Moriani, ii. 365b; Moscheles, ii. 370a, etc.; Moses, ii. 371a; Motet, ii. 376a; Mounsey (Eliz.), ii. 377b; Mus. Lib., ii. 421a, etc.; Nachruf, ii. 440b; Naumann (M. E. A.), ii. 449b; Neithardt, ii. 451b; Neukomm, i. 452a; Niederrheinische Musikfeste, ii. 456a, etc.; Nocturne, ii. 461a; Non Nobis, ii. 464a; Notation, ii. 476b; Nottebohm, ii. 479a; Nourrit (L.), ii. 480b; Novello, ii. 481b; Oboe d'Amore, ii. 488b; Octet, ii. 492a; Œdipus, ii. 492b; O'Leary, ii. 496b; Ophicleide, ii. 532b; Oratorio, ii. 555a etc.; Orchestra, ii. 564a, note, etc.; Orchestration, ii. 569a; Orpheus, ii. 613a, etc.; Overture, ii. 623a; Parish-Alvars, ii. 649a; Part-song, ii. 658b; Passion Mus., ii. 664b; Paul, St., ii. 675b; Pause, ii. 676a; Philh. Soc., ii. 698b; PF. Mus., ii. 729b; PF.-playing, ii. 741b, etc.; Piatti (A.), ii. 746b; Pierson (H. H.), ii. 752a; Pittman (J.), ii. 759b; Plaidy, ii. 763a; Planché, iii. 1a; Pleyel (Mme.), iii. 3b; Prelude, iii. 28b; Programme-music, iii. 39a; Pohlenz, iii. 55a; Quartet, iii. 58a, etc.; Quintet, iii. 61a; Raff, iii. 64a; Rasoumowsky, iii. 77b; Real Fugue, iii. 80b; Reformation Symphony, iii. 93a; Reichardt (A.), iii. 100a; Reinecke, 102a; Rellstab (H. F. L.), iii. 106b, etc.; Rietz (E.), iii. 132b; Rietz (Jul.), iii. 132b, etc.; Robert le Diable, iii. 138b; Robinson (J.), iii. 140b; Rode, iii. 143a; Romantic, iii. 151a; Rossini, iii. 173b, etc.; Rousselot, iii. 182b; Rudersdorff, iii. 199a; Ruy Blas, iii. 206b; Sac. Harmonic Soc., iii. 210a, etc.; Sainton, iii. 216b; Sainton Dolby, iii. 217a; Saltarello, iii. 222a; Santini, iii. 226a; Sartoris, Mrs., iii. 229b; Scarlatti (D.), iii. 239b;